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Shudder Magazine Delivers Entertaining Horror Stories

Shudder, Issues #3 and #4

Premiering in December 2021 with a special collector’s edition, Shudder is the newest magazine from Warrant Publishing Company.  With a tag line touting itself as the world’s #1 illustrated horror magazine, this bi-monthly title channels early horror magazines such as The Vault of Horror, Creepy, and Eerie while providing fresh stories with entertaining twists by skilled writers and artists.

I took notice of Shudder about two months ago when issue three showed up on the magazine shelf at my local Barnes & Noble.  The cover featured a fantastic Jeff Jones Egyptian-themed tomb scene advertising one of the stories in the issue.  I picked up the slim magazine to read the mummy story and figured I would probably skim the rest of the stories.  After reading the ‘Tomb of the Mummy’ written by Don Glut and illustrated by Reno Maniquis – a great Hollywood set story with a macabre twist ending – I found myself going back to the beginning of the magazine and reading every story as well as all the regular columns and even the advertisements!  

The slick cover encases newspaper print pages filled with thick black ink balanced with white space which caused me to expect I would have a fine dusting of ink on my fingertips once I finished the magazine.  Also reminiscent of the early EC horror comics, a ghoulish Auntie Shudder must be related to the Crypt Keeper.  Auntie introduces each tale and typically closes out each with a pithy observation in the last panel.  Auntie also has an ongoing column, Auntie’s Fearsome Fables! located on the inside cover of each issue. The column spotlights a monster’s mythology, so in issue three, Auntie featured werewolves and issue four, mummies.  It’s a quick summary or high level overview that highlights the essence of the monster’s lore and is useful to readers who may not be familiar with a particular monster’s origins. 

As mentioned above, there are six stories in each issue.  Five are new tales, but one is a “Decrepit Classic” meaning it is a retelling of a classic horror story.  In issue three, it was M. R. James’ ‘Lost Hearts!’ and issue four it was Ambrose Bierce’s ‘The Famous Gilson Bequest’.  This is a structure that the early publications used and again, it provides new readers an introduction to classic storytellers or provides a re-visit for readers already familiar with the feature author. 

I just picked up issue four which features a brilliant Frank Frazetta cover that is highly dramatic.   Auntie showcased mummies in her fables column and all six stories were entertaining and a fun read from cover to cover.  Shudder will appeal to fans of horror comics who like Creepy and  Eerie collections but are looking for updated, fresh storytelling.  

Editor: Rich Sala

Associate Editor: Don Glut

Newsstand single issues: $5.95 (U.S.)

Annual subscription: $53.00 (U.S.)

Issues one through three are still available for mail order. 

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Essays

Remembering Highlander

Happy 36th Anniversary!

To commemorate the 36th anniversary of the Highlander (Russell Mulcahy, dir.) film that premiered this day in 1986, I rewatched the original theatrical version this evening because it had been several years since I had last seen the film. 

I remembered much of the film as being entertaining and incorporating good choreographed sword fights.  The scenic vistas of Scotland were still breathtaking and I recalled how much I wanted to travel there after watching Highlander.  Queen’s music was still perfect and well placed throughout the 116 minutes, however I was surprised by the fact that only brief snippets of the songs were included.  It goes to show just how powerful and relatable Queen’s songs were at that time and over the decades since. 

I had forgotten about how much humor and sometimes biting one-liners were in the film.  For example, the hot dog vendor articulating supposedly difficult words which conveyed the ineffectiveness of the police to handle the the beheading incidents in the city.  Or, the Kurgan’s (Clancy Brown) exchange with the prostitute, Candy (Corinne Russell).  

There were several well-crafted shots and scenes.  The opening sequence that shifted between the wrestling match and a clan skirmish that would involve the Kurgan and Connor MacLeod’s (Christophe Lambert) first death was a fascinating way to edit two violent events together, leaving this viewer to wonder how far had civilization come or more appropriately, not come.  The glass windows shattering towards to the camera to reveal a panorama of the city in the background after the Kurgan loses his head is still a powerful visual.  

On the flip side, the pacing and jumps in logic weakened the narrative.  How did Brenda (Roxanne Hart) decide to investigate Russell Nash’s birth certificate, property, and probate records?  Why was Connor away that night from Heather (Beatie Edney) and Ramirez (Sean Connery)?  Where was Kastagir (Hugh Quarshie) as Connor faced his most humorous duel in 1783?  While the audience witnesses the fights, perhaps having more character development relating to the various immortals, Fasil (Peter Diamond), Kastagir, and even the Kurgan would have strengthened the story.  I read that Garry Kilworth’s novelization expands on some of the characters and events in the film.

Overall, I enjoyed the film and even though there were some shortcomings, the positives outweigh them.  I’ll definitely not wait so long between viewings and now I need to go rewatch the sequels.  

Photo credit: Original movie poster image from Art of the Movies website.